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7. 7. 7. 7. 7. 7. 7.7 .7 .7 .7 ------------------------- 7.[2]7. 7. 7. 7. ------------------------- 7.[2]7. 7. 7. 7.[2]7 ------------------------- = 1 + 2 + 3 ....... = 1/1+1/2+1/3......... 7. 7. 7. ------------------------- 7.7 .7 .7 ------------------------- In the right side is a numerical cube, and in the top is a graph of a function with sine waves superimposed on it with different frequencies. The left side of the graphic is text that describes what part of speech each letter stands for, which gives an idea of how complex the symbol itself is. The left side also describes the spectrum of each series of function which forms the graphic. On the opposite side of the cube is a superimposed version with a different function, giving an extra dimension to the whole thing. In this cube, each set of functions on one axis has a corresponding set of sets on another axis. The interpretation of this cube is that words that have more than one meaning, such as "hope" and "wish," represent many different patterns of sound and therefore can be graphed in this way. The book was very influential in part because it was one of very few at that point in time which examined how complex sounds could be created from simple ones. In particular, the book most directly inspired the development of musique concrète, an electronic music medium that used sounds from recordings of nonmusical things to create new compositions. In addition, the essay section of the book is an important influence on contemporary ideas about language and linguistics. In the essay section he uses a combinatory method to show how many sentences can be created from a very simple set of words and grammatical rules. This approach has been taken up by contemporary formalists in linguistics as a mathematical way to study grammar. Most importantly, the book presents a logical argument for why sound-patterns should be considered as complex as visual patterns. cfa1e77820